For the 1981 version, Gould sought to unify the variations differently, through his choices of tempi: he played more of the repeats, and wanted to express proportional rhythmic relations between the variations. An interpretation of Johann Sebastian Bach's Goldberg Variations (BWV 988), the work launched Gould's career as a renowned international pianist, and became one of the most well-known piano recordings. Gould is also famous for his unusual behaviour. This series consists of three instalments, each lasting about an hour: 'La Question de l'lnstrument,' 'Un Art de Fugue,' and 'Les Variations Goldberg.' Glenn Gould Instruments Piano He found much of it "just too fast for comfort",[14] and lamented the 25th variation, which sounded "like a Chopin nocturne"—to Gould, an undesirable quality, given his aversion to much of the Romantic repertoire. Goldberg Variations -- Glenn Gould (1982) CD (Item 758104) Columbia, 1982 . Concluding his back-cover essay on the Goldberg Variations, he wrote: "It is, in short, music which observes neither end nor beginning, music with neither real climax nor real resolution, music which, like Baudelaire's lovers, 'rests lightly on the wings of the unchecked wind.' It shows classical music as a living thing. His 1981 recording of the Goldberg Variations is still recognizable as Gould: the strutting precision and emphasis on counterpoint apparent. They thought that possibly some more modest undertaking was advisable. The length of a performance of the Goldberg Variations can therefore vary drastically: Gould's 1955 recording is 38 minutes 34 seconds long, while his reconsidered, slower 1981 version (see below) is 51:18. At the time of the first album's release, Bach's Goldberg Variations—a set of 30 contrapuntal variations beginning and ending with an aria—were outside the standard piano repertoire, having been recorded on the instrument only a few times before, either on small labels or unreleased. ... More by Glenn Gould. Get this from a library! To me today that piece has intensity without any sort of false glamour. While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained … "[15], Shortly before his death in 1982, Gould re-recorded the Goldberg Variations digitally and in stereo in the Columbia 30th Street Studio in New York City; it was the last album to be recorded in that studio before it closed. Variation Classical CDs Glenn Gould, Variation Classical Vinyl Records Glenn Gould, Music CDs Glenn Gould 2014, Music CDs Glenn Gould 1999, Music CDs Glenn Gould 1995, Music CDs Glenn Gould 1997, Music CDs Glenn Gould 1991, Music Album CDs Glenn Gould, Industrial Glenn Gould Music CDs, Music CDs Glenn Gould 2006 For example, in 2002, Sony Classical issued a three-CD collection titled A State of Wonder: The Complete Goldberg Variations 1955 & 1981. [Johann Sebastian Bach; Glenn Gould] An interpretation of Johann Sebastian Bach's Goldberg Variations (BWV988), the work launched Gould's career as a renowned international pianist, and became one of the most well-known piano recordings. A video-recording was also made of Mr. Gould's recent reinterpretation of the ''Goldberg Variations,'' which has been shown on European television; a new digital recording of … By Johann Sebastian Bach. Bach: The Goldberg Variations (Glenn Gould album) (en) Duaisean a fhuaras: liosta. Goldberg Variations, BWV 988: Variation 18 - Canone Alla Sesta a 1 Clav. At least one record-company executive questioned Gould's choice of the then-obscure Goldberg Variations for his recorded debut. Yesterday, Mr. Gould turned 50, and as if in honor of the occasion, CBS is releasing a new version of Bach's Goldberg Variations in digital stereo, together with … "[6] Then aged 22, Gould was confident and assertive about his work, and prevailed in the decision as to what he would record for his debut—having also ensured that his contract granted him artistic freedom. [Johann Sebastian Bach; Glenn Gould] -- Aria plus 30 variations, BWV. Bach: Goldberg Variations Glenn Gould, Piano/Klavier Title/artist on jacket back: Bach: Goldberg Variations, BWV 988 - Glenn Gould (Aria & 30 Variations/Veränderungen) "G" in runouts denotes Columbia Records Pressing Plant, Carrollton, GA , pressing It was one of the first works that he had learned "entirely without [his] teacher", and which he had "made up [his] mind about relatively [early]". ... J.S. Columbia recognized his talent and tolerated his eccentricities; on June 25 the company issued a good-natured press release describing Gould's unique habits and accoutrements. Out Of Stock CD. [8], The extreme tempi of the 1955 performance made for a short record, as did Gould's decision not to play many of the repeats (each Goldberg variation consists of two parts, traditionally played in an A–A–B–B format). Bach - Glenn Gould - The Goldberg Variations Album Performer: Bach - Glenn Gould Title: The Goldberg Variations Style: Baroque Released: 1982 Cat#: SK 93070 Country: US Label: CBS Masterworks Size MP3 version: 1011 mb Size FLAC version: 1635 mb Size WMA version: 2220 mb Rating: 4.9 Votes: 478 Genre: Classical [16] The album won two awards in 1983: the Grammy Award for Best Instrumental Soloist Performance, and in Canada, the Juno Award for Classical Album.[17]. The recordings were made in 1955 at Columbia Records 30th Street studio in Manhattan over four days between June 10 and June 16, a few weeks after Gould signed his contract. 4.8 out of 5 stars 100. Digitally recorded using the Sony System. Page 1 of 1 Start over Page 1 of 1 . The same label released The Goldberg Variations: The Complete Unreleased Recording Sessions in 2017, comprising seven discs of outtakes and related material from the 1955 recording session. Bach* - Glenn Gould - The Goldberg Variations, Goldberg Variations BWV 988 (1981 Digital Recording), Buy Vinyl, Matrix / Runout (A, etched [except Ↄ]): DAL-37779-1M-2HK: DM Ↄ, Matrix / Runout (B, stamped [except ② and DM]): DBL 37779-1CJ ② COLUMBIA NY DM75, Other (Date code # on rear sleeve to right of shorewood packaging symbol): I82. Glenn Gould: Beyond Bach's 'Goldberg Variations' : ... Masterworks in 1955 and a second version came out the week he died in 1982). According to Guerrero, tapping taught the pianist an economy of muscle movement that would enable precision at high speeds. So too is Gould’s … Customers who bought this item also bought. The "trilogy" is completed by a fascinating disc containing out-takes from the 1955 session, and a 1982 interview of Gould by eminent music critic, Tim Page. But there is more to Gould … I was twenty-two years old and proposed doing my recording debut with the Goldberg Variations, which was supposed to be the private preserve, of, perhaps, Wanda Landowska or someone of that generation and stature. [13], Gould later became more critical of his 1955 interpretation, expressing reservations about its fast tempi and pianistic affectation. He brought to the studio a special piano chair, bottles of pills, and unseasonal winter clothing; once there, he would soak his hands and arms in very hot water for twenty minutes before playing. [4] Gould often had trouble finding a piano he liked; the Variations were recorded on a Steinway piano he had acquired in 1955 (model CD 19),[7] which had been shipped around the northeastern United States for his concerts. Mastered from the original digital recording in the CBS Recording Studios, New York on the CBS DisComputer System. glenn gould - goldberg variations,bwv 988 (1981 recording) vinyl lp new+ bach He was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. Grammy Award for Best Classical Album (1982) Grammy Award for Best Instrumental Soloist Performance (without orchestra) (1982) Grammy Lifetime Achievement Award (2013) Grammy Award for … Not a pianistic or instrumental intensity, a spiritual intensity. His landmark 1955 recording of Bach’s Goldberg Variations was a runaway best-seller (and remains the best-selling classical instrumental recording of all time). Glenn Herbert Gould was born at home in Toronto, on 25 September 1932, to Russell Herbert Gold (1901–1996) and Florence Emma Gold (née Grieg; 1891–1975), Presbyterians of Scottish, English, and Norwegian ancestry. 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